You can draw a straight line

2022

Solo exhibition at Karsh-Masson Gallery, adopting a self-consciously conspiratorial lens to envisage Canada's history of resource extraction and colonial entrenchment.

Annotations on a Profitable Enterprise (It Spans the World)

2022

Digital collage on floor vinyl; 27' x 10'

Site-specific commission for exhibition "I am land that remembers," curated by Maya Wilson Sanchez, installed at Union Station, Toronto

"Thirty cents, fifty cents..."

2021

3-channel video installation looking at the spread of Canada's transport and telecommunications infrastructure, connecting Canada's colonial "Western Expansion" to global networks of imperial capitalism. Presented in the window space of Neutral Ground, Regina, SK.

'No Long Shadows'

2020

Solo exhibition at PAVED Arts, unpacking the legacy of a cancelled 1959 film festival organized by filmmaker Stan Brakhage and military-chemical giant DuPont

Two or Three Saprophytes

2019

Essay film + solo exhibition, initially shown at the Art Museum at the University of Toronto

Frozen Dead, Frozen Sleep, and Some Consequences

2019

Site-specific installation made for "unscheduled arrivals" exhibition at Bunker 2 (located inside a converted refrigerated shipping container)

REDFIELD

2018-

Ongoing correspondence with an anonymous contact

Stem is to Leaf

2017

Single-channel looping video

Its Mouth Only Grows

2017

Four-channel video installation presented as a solo exhibition in Union Gallery project space

In Landfills

2017

Single-channel looping video

Royalty Free Images

2017

Kinetic sculpture with sound component

Photonausea

2016

Single-channel video installation with sound

The Contortionists

2016-17

Series of single-channel video works

Cruelty Sculptures

2015-16

Kinetic sculptures with vegetal produce

Petrified

2015

Inkjet print on Enhanced matte paper

For Just a Moment

2015

Inkjet prints on Enhanced matte paper

Providence

2014

Two-channel video with sound